Best prompts for Suno mashups using Genre Fusion methods

Create a 2:30 mashup (95 BPM, E minor, 4/4) blending classic boom-bap hip-hop drums with modern Afrobeat percussion. Use provided stems: Acapella_A.wav (lead vocal) and Loop_B.wav (guitar riff). Arrangement: 0:00–0:16 intro (percussion + atmospheric pad), 0:16–0:48 verse (boom-bap drums + Acapella_A), 0:48–1:12 hook (add brass stabs & Afrobeat horns), 1:12–1:40 breakdown (drop drums to congas/talking drum), 1:40–2:10 second verse (bring back full beat), 2:10–2:30 outro (brass + percussion fade). Production notes: tempo-stretch Acapella_A to 95 BPM preserving formants, key-shift Loop_B to E minor if necessary, sidechain pad to kick, add subtle tape saturation and a tight high-mid band boost at 2.5–5 kHz for presence.

Produce a 3:00 mashup (80 BPM, C major) that reharmonizes a given melody with jazz extensions (9ths, 11ths, b13) over synthwave pads. Use Melody_Lead.wav as the melodic source. Structure: intro (0:00–0:20) warm analog pad, verse (0:20–1:00) piano comp with ii-V-I substitutions, chorus (1:00–1:30) lush synth lead with chorus effect, bridge (1:30–2:10) modal interchange to A minor, final chorus (2:10–3:00) big reverb tail. Instructions: add extended chord voicings for each melody phrase, apply sidechain to pads with a slow attack, use vintage chorus and analog-style reverb on lead.

Generate a 2:20 mashup (74 BPM, A minor) that transplants a distorted metal guitar riff (Riff_Guitar.wav) into a reggae context. Keep original riff phrasing but re-articulate on clean electric guitar with a skank rhythm (offbeat). Arrangement: intro (0:00–0:10) dub delay guitar echo, verse (0:10–0:40) reggae rhythm guitar + upright bass, chorus (0:40–1:10) full band with horn counterline, bridge (1:10–1:40) half-time rock feel with compressed snare, outro (1:40–2:20) dub echo fade. Production: use spring reverb and analog tape saturation for the dub sections; lower guitar distortion, emphasize low mids for warmth.

Compose a 3:30 mashup that fuses progressive rock (7/8 riff) with Afro-Cuban grooves (4/4 clave-based percussion). Tempo: 120 BPM. Key: D minor. Structure: 0:00–0:20 percussion-only intro (congas, bongos, clave), 0:20–1:10 progressive riff in 7/8 over polyrhythmic groove (add synth pad to mask metric tension), 1:10–1:40 transition (gradually shift riff accents to fit 4/4), 1:40–2:30 unified 4/4 chorus with full horn section, 2:30–3:30 instrumental solo section alternating 7/8 and 4/4. Production notes: use phase-aligned samples, EQ congas to sit around 200–800 Hz, place claves slightly front-center and high in the mix.

Produce a 2:50 mashup (88 BPM, G major) that keeps a soulful lead vocal (LeadVox.wav) prominent while introducing IDM-style stutters and granular textures as counterpoint. Structure: 0:00–0:12 intimate pad + dry vocal intro, 0:12–0:48 verse (sparse beat, main vocal), 0:48–1:12 pre-chorus (add micro-chopped vocal FX under main vocal), 1:12–1:40 chorus (50% wet vocal delays + glitch percussion), 1:40–2:10 instrumental break (granularized vocal ambient), 2:10–2:50 final chorus with pitch harmonies + wide stereo imaging. Production: preserve lead vocal formants when pitch-shifting, use transient shaper for clarity, automate granular density across the bridge.

Create a 3:10 mashup (100 BPM, F# minor) blending K-Pop synth-pop production with Indian classical instruments. Use Sitar_Loop.wav and Tabla_Kit.wav provided. Structure: 0:00–0:15 bright synth pad intro, 0:15–0:45 verse (clean synth stabs + sitar motif), 0:45–1:15 pre-chorus (layered harmonies, tabla groove), 1:15–1:45 chorus (big synth hook + sitar counter-melody), 1:45–2:15 instrumental ala ala (sitar solo over electronic break), 2:15–3:10 final chorus and outro with vocal harmonies. Production notes: ensure sitar phrases follow microtonal ornamentation typical of raga—avoid quantizing expressive bends; place tabla in the mid-left for stereo interest.