Best prompts for Suno using live performances

Live acoustic coffeehouse set: solo female vocalist and nylon-string fingerstyle guitar recorded close-mic. Tempo 78 BPM, key G major, 3:30 duration. Room: small wood-paneled cafe, warmth and short early reflections, stereo spaced pair 2m for room. Microphones: vocalist SM7B close, guitar AKG C414 XY. Performance: conversational between verses, slight tempo rubato, audible breath and finger noise, no quantization. Audience: soft clapping after chorus and warm applause at end. Master: light analog tape saturation, -6 dB headroom. Provide full stereo mix.

Live jazz quartet: piano (upright), upright bass, brushes on snare drum, tenor sax. Tempo 140 BPM swing, key F major. Arrangement: head, two solos (sax 32 bars, piano 24 bars), trading fours, return to head. Room: medium jazz club with warm reverb and mic bleed. Microphones: piano stereo pair inside the lid, bass mic + DI, sax ribbon close + room pair, drum overheads + snare close. Performance: human micro-timing, dynamic swells, slight tuning variance, natural mistakes retained. Audience: murmurs during solos, polite applause after solos and song end. Master: transparent, preserve transient details. Export: stereo mix plus stems for sax and piano.

Outdoor festival rock set: 4-piece band (lead electric guitar with overdrive, rhythm guitar, electric bass, acoustic drum kit, lead male vocals). Tempo 128 BPM, key A minor, duration 4:20. Arrangement: intro riff, verse, pre-chorus, big chorus with gang vocal, bridge solo (16 bars), encore-style ending. Room: open-air festival stage, PA system coloration, long slapback on vocals, heavy crowd ambience. Microphones: guitar amps mic'd (SM57), drum overheads + kick mic, bass DI + amp mic, vocal Shure SM58. Crowd: large cheering intro, chant during chorus, multilayered applause at song end. Mix: aggressive low-end, loudness for live broadcast, mild compression. Render: live stereo broadcast mix + crowd stem.

Arena ballad live: male lead vocal, grand piano, full string section (live), subtle electric guitar textures, drums with brushed crescendos. Tempo 72 BPM, key E major, 5:00 build to huge chorus. Room: large indoor arena with long reverb tails and delay plates on vocals. Microphones: lead vocal condenser, piano stereo pair, string section spot mics + room, drum overheads. Crowd: gradually building chants and applause - big applause and anthem singalong at final chorus. Performance: raw vocal breaths, slight pitch fluctuation, emotional cracks permitted. Mix: cinematic reverb, sidechain low compression for vocal clarity. Export stereo mix and vocal stem with crowd separated.

Live solo piano: grand piano recorded in a small hall. Tempo rubato, repertoire: contemporary ballad, duration 4:10. Microphones: close stereo pair near hammers + ambient room pair 4m back to capture hall. Include realistic pedal thumps, key action clicks, sustain variations, and slight dynamic inconsistency. Room: resonant small concert hall with lush early reflections. Performance: expressive rubato, small timing errors kept. Mix: natural acoustic, mild high-frequency roll-off, no heavy processing. Output: stereo mix.

Live jazz vocal feature: female jazz singer with upright bass and brushed drums. Tempo 96 BPM, key D minor. Structure: intro vamp, verse, chorus, 16-bar scat solo (improvised style), audience call-and-response after second chorus. Microphones: vocal condenser close, room mic capturing applause. Performance: nuanced phrasing, audible breath, slight vocal breaks, scatting improvisation with rhythmic variation. Crowd: laughter and short calls between lines, applause after solo. Mix: warm, vintage mic emulation, moderate room bleed. Output: stereo mix + vocal stem.