Best prompts for Suno AI for music generation using instrumental arrangements

Compose a 2:30 cinematic orchestral hybrid in D minor at 90 BPM. Start with a quiet 16-bar string pad intro, introduce a solo cello motif in bars 17–32, then add synth pulses and low electronic percussion building through bars 33–80. At bar 81 create a heroic brass and drum climactic section (bars 81–112) with choir pad underscoring, then resolve with a 20-second string/cello outro. Emphasize dynamic swells, clear orchestral voicings, and a subtle modern electronic pulse under the brass. Provide stereo-ready stems grouped by strings, brass, woodwinds, percussion, synths, and choir.

Create a 3:00 upbeat funk band instrumental in E major at 110 BPM with a punchy electric bass, clean rhythm guitar (chicken-scratch comps), Hammond organ comping, tight drum kit with backbeat emphasis, and a three-piece horn section (trumpet, alto sax, trombone) delivering staccato hits and a short solo section (bars 65–81). Structure: Intro (8 bars), Verse groove (32 bars), Horn break (8 bars), Guitar solo (16 bars), Final chorus/outro (16 bars). Prioritize pocket and syncopation; leave headroom for horns and bass. Output separated stems for drums, bass, guitar, keys, horns.

Produce a 2:30 lo-fi hip-hop instrumental in G minor at 70 BPM with warm electric piano chords, mellow upright bass, soft vinyl crackle, laid-back boom-bap drums (soft kick, crunchy snare), and a simple repeating lead motif on Rhodes. Arrange: Intro (8 bars with vinyl & keys), Main loop (32 bars), Bridge (8 bars with filtered synth), Return to loop, Short outro. Apply subtle tape saturation, light low-pass automation during the bridge, and gentle sidechain on the bass to the kick. Deliver stems and a 320 kbps export.

Generate a 4:00 ambient guitar soundscape in C major at free tempo (no strict BPM). Use three guitar layers: clean fingerpicked acoustic with long reverb, electric guitar with shimmer and reverse delays, and heavily processed e-guitar drones with granular texture. Add two synth pad layers (warm analog pad + airy high pad) that slowly shift chords every 30–45 seconds. No drums. Build gently towards a harmonic peak at 3:00 then recede. Provide dry and processed stems for each guitar and pad layer and a short mixdown.

Write a 5:00 jazz combo arrangement in Bb major at 120 BPM swing. Instruments: upright bass walking, brushed drums, piano comping, muted trumpet melody, tenor sax solo. Structure: Head (32 bars), trumpet solo (32 bars), piano comp + tenor solo (32 bars), re-stated head and tag (16 bars). Arrange the trumpet head with simple harmonized hits from piano and bass walking. Leave clear space and realistic swing feel for improvisation. Output stems for rhythm section, trumpet, sax, and a dry lead take for the trumpet head.

Create a 3:30 progressive house instrumental in F# minor at 128 BPM. Structure: intro (16 bars build with arpeggiated pads), rising section with risers and snare roll (bars 33–48), main drop (bar 49) featuring a warm supersaw lead, punchy four-on-the-floor kick, compressed sub-bass, and rhythmic gated pads. Place a breakdown at 1:45 with plucked arps and vocal chop texture, then a second build/drop. Use sidechain compression on pads and bass to the kick, and include clear automation of filter cutoff for tension. Provide separate stems for kick, bass, leads, pads, percussion, and FX.